Welcome to my Blog
This is a place where the visitors are confronted with their search for a personal touch and where they have an opportunity to get acquainted with a skilled expert, who has turned durability and tradition into a personal passion.
I hope this will become a valued and rich source of inspiration and knowledge. Please Leave comments and enjoy your visit.

Sunday, 24 February 2013


Palace Augustusburg in Brühl
Patrick Damiaens 
Ornamental Woodcarver

Visit of 
the Palace Augustusburg

UNESCO World Heritage Site
Palaces Augustusburg and Falkenlust

As Rococo masterpieces in their own right, the Palaces Augustusburg and Falkenlust and their gardens have been listed as a UNESCO World Heritage Site since 1984.

Building work on the Palace Augustusburg, a favourite residence of Clemens August von Wittelsbach, Elector and Archbishop of Cologne (1700-1761), began in 1725. The initial architect was the Westphalian Johann Conrad Schlaun. From 1728 to 1768, François de Cuvilliés, the Electoral Bavarian court architect, oversaw its development into the outstanding residence of that time.

The core of the palace is the grand staircase built according to the plans of Balthasar Neumann. The baroque gardens were created in the French style by Dominique Girard.


Augustusburg Castle 

The first documentary reference to Brühl was recorded in the year 1180. 
This was when Archbishop Philipp von Heinsberg of Cologne founded a manor house to administer the local estates which quickly became a significant local seat. 
In 1285 Brühl received its city charter from Archbishop Siegfried von Westerburg and self-administering courts were established. In 1469 Brühl became the capital of the county and was also chosen as the residence of the Cologne Archbishops. For almost 150 years the Cologne Archbishops territory was ruled from Brühl.

In 1689 the castle was blown up by foreign troops and later most of the town was destroyed by fire. Brühl recovered from this catastrophe and in 1725 Elector Clemens August let the palace Augustusburg be built on the ruins of the old castle by Conrad Schlaun and later by Francois de Cuvillies. Its famous roccoco staircase was designed by Balthasar Neumann.

Clemens August had two reasons for choosing this site: because of its beautiful surroundings and its convenient situation for falconry, which was one of his passions. 
After the dismissal of Conrad Schlaun, Cuvillies developped a new general plan in 1728 for the alteration and improvement of the initial building only just completed by his predecessor. 
He changed the building´s original character as a moated castle into a modern residence.

The architect Balthasar Neumann first visited Brühl in 1740, in the following years he stayed for longer duration to plan the staircase. Later the completion was taken over by the court architect Michael Leveilly and his excellent team.

staircase in Palace Augustusburg

From 1747-1750 Carlo Carlone painted the ceiling, frescoes of the staircase, the ajoining rooms and in the Nepomuk chapel.

When Clemens August died in 1761 the work in the main rooms was still going on. His successor Elector Max Friedrich von Königsegg (1761-1784) completed these rooms according to the designs of his predecessor. In 1769 Augustusburg was completed after more than 40 years of building.

In the aftermath of the French Revolution the Electorate of Cologne ceased to exist. The palace was taken by French troops who pillaged all of the remaining furniture and when Napoleon saw the palace in 1804 he is supposed to have regretted the fact that it had no wheels. He gave it to his Marshal Davoust, who neglected it in a way that it fell into delapidation.

In 1815 the palace passed into Prussian owner-ship. Thanks to King Friedrich Wilhelm IV. the building was saved. He first stayed here in 1842 and then ordered that the rooms should be renovated. 
After being overhauled the palace Augustusburg was used again as a residence in 1876/77 when Emperor Wilhelm I. took part in the Autum manoeuvres in the Eifel. 

German Rococo Style Interiors

The palace was seriously damaged in World War II. In 1944 a bomb hit the North wing and in 1945 the main wing was hit by an artillery barrage. The most pressing repairs were begun in the same year, which were continued on a larger scale as a complete restoration of the building. 
Today the palace belongs to the government of North Rhine-Westfalia.

 WEBSITE: Palaces of Brühl

 PalaceAugustusburg on Youtube



Friday, 22 February 2013

IEDEREEN BEROEMD | VRT-één Belgian Television | Patrick Damiaens Woodcarver | Belgian Woodcarver on Television

Flemish Television Channel

Patrick Damiaens
Ornamental Woodcarver

'Iedereen Beroemd'
'Everyone is Famous'

Everyone is  famous is a televisionprogram  running since August 2012 on Belgian (Flemish) Television Channel VRT-one (één). The program is about the life of ordinary people, hence the title of the program, a reference to Andy Warhol's statement
"In the future everyone will be famous for fifteen minutes"

The making of....

My 15 seconds of Fame
Everyone famous broadcast on February 22, 2013
Flemish Television Channel VRT-één 


Monday, 11 February 2013

RESTAURO Magazine | Magazine for heritage and restoration | Restoration of a Wooden Chandelier | GERMAN MAGAZINE | Castle of Lembeck

Patrick Damiaens
Ornamental Woodcarver 

RESTAURO Magazine 

German magazine for heritage and restoration

Magazine for heritage and restoration 

A few months ago, we had the privilege of performing an extremely interesting restoration.
In the April 2013 edition, the renowned German magazine RESTAURO will publish an extensive article about this unique restoration. 

The Castle  Lembeck.

A gilded chandelier that has been hanging in the Schlaun’sche Hall, inside Castle Lembeck in Dorsten (Westfalen, Germany) for many generations. The chandelier was carved from limewood and composed of many individual ornaments. It’s in rococo or late baroque style. 

The chandelier has sustained severe damage during and after the Second World War. To prevent even more damage by the ravages of time, leaving no or very little undamaged ornaments to restore the chandelier in an appropriate manner, it was decided to restore the chandelier straight away. The restoration took place in 2012 and was performed over the course of several months.
The decision to restore the chandelier fortunately was a timely one, seeing as it was already quite a challenge to find out what the missing ornaments looked like or might have looked like. 

In the April 2013 edition of Restauro, an extensive article about this restoration will be published.